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Who was almost cast in the three different iterations of the superhero tale? Find out who. Peter Parker Garfield is an outcast high schooler who was abandoned by his parents as a boy, leaving him to be raised by his Uncle Ben Sheen and Aunt May Field.
Like most teenagers, Peter is trying to figure out who he is and how he got to be the person he is today. Peter is also finding his way with his first high school crush, Gwen Stacy Stone , and together, they struggle with love, commitment, and secrets.
As Peter discovers a mysterious briefcase that belonged to his father, he begins a quest to understand his parents' disappearance - leading him directly to Oscorp and the lab of Dr.
Curt Connors Ifans , his father's former partner. As Spider-Man is set on a collision course with Connors' alter-ego, The Lizard, Peter will make life-altering choices to use his powers and shape his destiny to become a hero.
Written by Columbia Pictures. When i first saw the trailer of this movie last year, i thought- another Spiderman movie?
In all honesty, i was not compelled to watch the movie- may be it was the trailer or that thought of how far can a Spiderman movie be different than the one produced about a decade ago?
How 'amazing' can it be, as its title suggests? After going against the odds, i came out from the movie very pleased.
In fact, i enjoyed the move thoroughly and felt very entertained. And i finally understood the word 'amazing' in the title- because it is really, pretty amazing!
It is not one of those movies with excessive ZOMG factor, for sure. The movie is amazingly captured with great use of CGI. The first half of the movie explores the dark side of Peter Parker's family history in a fairly comical manner.
I got to know about Peter's father, which was not much explained in the previous trilogy and i don't exactly read the comics.
Then there is his high school stories of his love. The next half of the movie was gripping and fast-paced, with well angled shots to make you feel like swinging from building to building and climbing up towers- i watched it in 2D and i could still feel the height!
This part of the movie focuses on the transformation of Dr Connors as the Lizard, the villain of this movie, who happens to be Peter's father's working partner.
His wish to regenerate his arm goes awry, leading him to produce a biological threat that forces Spiderman to a race to save the people in the city.
As i said, i was entertained. The movie was light hearted, like watching The Captain America, with brilliant cast. He fits the character well. I enjoyed the scene where he first discovers of his special ability, particularly with the flipping of his skateboard.
Watch out for Stan Lee in a show-stopper scene. Edit Did You Know? Trivia For the scene where the spider bites Peter, Sam Raimi ruled out using a digital spider.
The director wanted to use a black widow, but being dangerously poisonous, he ended up choosing a "steatoda grossa", which was painted and trained by specialist Steven Kutcher.
Goofs at around 1h 22 mins When the building is on fire, you see a fireman helmet has 57 on it is seen getting the residents out of the structure.
Take notice that the fireman has an annoying strap hanging down from the top of his helmet. Eventually that strap disappears and a convenient microphone comes into focus, then the microphone vanishes too.
Quotes [ first lines ] Peter Parker : [ voiceover ] Who am I? You sure you want to know? The story of my life is not for the faint of heart.
If somebody said it was a happy little tale But let me assure you: This, like any story worth telling, is all about a girl. That girl. The girl next door.
Mary Jane Watson. The woman I've loved since before I even liked girls. Crazy Credits The closing credits are surrounded by webbing.
Alternate Versions In the version that showed on Cartoon Network, there were many cuts for time, violence, and swearing.
All uses of ass, hell, and damn were scrubbed from the movie i. Goblin says "we're gonna have [an interesting] time" as opposed to a "hell of a time".
References to religion were also trimmed. There is also an alternate angle of Norman getting impaled that is less violent.
Was this review helpful to you? Yes No Report this. Q: Is there any precedent for the upside-down kiss? Q: Are there any differences between this and the comics?
Country: USA. Language: English. Runtime: min. Color: Color. There, Parker is forced to help Beck fight the Fire Elemental to again protect his friends.
Beck manages to destroy the creature with Parker's help. Fury and Hill invite Parker and Beck to Berlin to discuss the formation of a new superhero team, but Parker decides that Beck should go alone and transfers control of E.
In actuality, Beck is secretly a former Stark Industries holographic-illusions specialist who was fired for his unstable nature, and now leads a team of disgruntled ex-Stark employees, using advanced projector drones to simulate the Elemental attacks, masquerade as a hero, and gain control of E.
After MJ tells Parker she knows he is Spider-Man, they discover that a piece of debris she retrieved during the battle is a projector that shows part of the Air Elemental's attack, leading them to realize Beck isn't who he says he is.
Parker travels to Berlin to warn Fury, only to be tricked by Beck with an illusory Fury into revealing the names of his friends who know about Beck's plan.
Left for dead by Beck, Parker contacts Hogan, who flies him to London, where his classmates are.
Beck uses E. Parker is able to disrupt the illusions, so Beck attacks him with drones. Parker defeats Beck and regains control of E.
Beck is killed by misfired gunshots from the drones, but one of his associates escapes with data from the drones.
In a mid-credits scene , J. Jonah Jameson of TheDailyBugle. In a post-credits scene, Fury and Hill are revealed to be the Skrulls Talos and Soren in disguise, under orders from the real Fury while he is away commanding a Skrull spaceship.
Simmons appears as J. Smulders learned about the twist from producer Kevin Feige shortly before the film's release. After being able to include Iron Man for Homecoming , Sony was revealed in June to have the use of another Marvel Studios-controlled character for the sequel.
He added that filming was expected to begin in April or May Pascal said the film would begin "a few minutes" after the conclusion of Avengers: Endgame.
Watts added they looked to "make a movie that's in that world and deals with those stories but is also still [a] fun Spider-Man movie".
For example, Ned, MJ, and Flash all turned to dust during the events of Infinity War along with Parker, while some of his classmates did not and are now five years older due to the events of Endgame.
Watts compared this dynamic to the film Flight of the Navigator , calling the situation "really weird At the end of August , as the film was entering pre-production,  Chris McKenna and Erik Sommers were in final negotiations to return from Homecoming to write the sequel.
This was a change from the first film, which was mostly produced in Atlanta. Feige explained that one of the reasons behind this change in location was because a majority of the sequel would be spent around the world, outside New York City.
This included the directive that the film would be releasing shortly after Endgame and would need to deal with the death of Stark due to the relationship between that character and Spider-Man that previous films had established.
The film also needed to deal with the aftereffects of "the Blip", the five-year period between Infinity War and Endgame where half of all life disappeared.
Mysterio was chosen to be the film's villain because he is one of Spider-Man's iconic villains that had yet to be featured in a film, and because his history of deception in the comics lent itself to a character who could take advantage of a Spider-Man that is mourning the death of Stark.
This also allowed the writers to explore relevant modern themes such as fake news. Mysterio's plan went through several iterations, including an early suggestion that he could be an alien Skrull in disguise.
It also introduces two new costumes: a black "stealth" costume given to Parker by Nick Fury , and a new, upgraded Spider-Man suit that Parker designs for himself at the end of the film.
He added that the suit represents Parker experimenting with being a new kind of superhero. Other tactical costumes from the comic books were looked at when developing this one, but Meinerding felt they looked less practical than the more straightforward Noir inspiration.
The costume includes tactical goggles that can be flipped up. For Parker's new self-designed costume, Meinerding originally designed it with the idea that it would be made from Parker's webbing since that is the strongest material he has access to.
For Far From Home , Ironhead developed a skull cap for the costumes that has built-in fans to prevent the goggles from steaming up. They also developed a magnetic bellows system for connecting the goggles to the mask, so they could be easily removed but not fall off during action sequences.
Principal photography began on location in Hertfordshire , England on July 2, ,  under the working title Fall of George.
Lloyd served as director of photography , after previously working with Watts on Cop Car Watts had wanted to work with Lloyd on Homecoming , but the cinematographer was working on Power Rangers at the time.
Delmar,  while J. Smoove and Numan Acar joined the cast. By early August, Samuel L. Jackson and Cobie Smulders were confirmed to be appearing in the film, reprising their respective roles of Nick Fury and Maria Hill from previous MCU films,  and Remy Hii joined the cast later in the month.
Lloyd explained that the creative team had approached the film as a road-trip story, and so he wanted to maintain the distinct look and feel of each location visited.
This meant giving each stop on the school trip a distinct lighting scheme and color palette. For example, Lloyd visited Venice three times during location scouting to discuss how the scenes there would be filmed, and learned that the city has a "bright, pastel feel, where the light comes through and hits a building.
It bathes people in this warm, sandy light". Prague, on other hand, has a "more warm and cool mix, and the beauty of that sort of Baroque, eastern-European architecture.
Lloyd felt comfortable working within the aesthetic of the MCU after acting as director of photography on the first season of the MCU television series Daredevil and the miniseries The Defenders , as well as working on additional photography for the films Thor: Ragnarok and Captain Marvel This ended up being a lot easier for the camera department to use on location, and for combining live-action shooting with visual effects elements.
The names of these other villains are not given to the characters in the film. Harrington from Homecoming the next month.
Discussing the film's mid-credits scene, Watts explained that they approached J. Simmons "as late as possible" before the film's release to ask him to reprise his role as J.
Jonah Jameson from Sam Raimi 's Spider-Man film trilogy , hoping to keep the cameo a surprise for fans. Like, if it wasn't him, it wasn't worth doing.
According to Feige, the changes in the real world also meant that moving the character from a newspaper editor to a "radical right news journalist that kind of scream[s] in front of the camera" made more sense.
Watts described Far From Home as a "con man movie" with "so many layers of deception", and for the post-credits scene he felt that ending the film with "one last twist" was on theme.
He felt that he owed the fans a more substantial post-credits scene than the jokey one at the end of Homecoming. The Far From Home scene depicts Fury on vacation, in a simulation, both of which are also themes in the film, and reveals that the Fury and Hill seen throughout the film are actually Skrulls in disguise.
Watts felt this twist made sense after Fury's interactions with the Skrulls in Captain Marvel. They ultimately did not use added effects to represent Spider-Man's Spider-sense because these did not fit within the live-action world or were too similar to previous effects, such as Daredevil 's sonar vision.
They did try to use Spider-Man's actions and the use of his abilities to show his growth since Homecoming , but to also show his "reach as always exceeding his grasp as he refines his superhero skills".
The jet work included the creation of a new Spider-Man suit,  for which the vendor had to design the interior of the suit based on a scan of a practical costume they were given.
They also made a Netherlands tulip field for a scene that was filmed in a grass field in the UK. It required around two million digital tulips.
The company aimed for the holograms to have a similar quality to the ones that they had created for Captain Marvel.
His fishbowl helmet is retained from the comics. Sirrs described the character as a "larger-than-life showman at heart" and almost a superhero version of Liberace.
The Elementals consisted of animated figures, often driven by slowed-down motion-capture performances, with environmental effects layered on top.
This included a progression where the creature goes from being upright and humanoid to bigger and more hunched over as it consumes metal throughout the sequence.
Watts responded positively to movements that looked more creature-like. In addition to creating the SUE—which required extensive effect simulations for the different combined elements such as "water tentacles", rocks, lava, and lightning—the company had to create a digital model of the Tower Bridge for the fight to take place around.
They made use of Image Engine's Stark jet model and Scanline's Mysterio asset for the fight, and created the drone models and new Spider-Man suit that were used by the other vendors.
They started with a single drone design that featured missiles, cannons, and Gatling guns, but this became repetitive during the battle and so flamethrower and sonic blaster drones were added.
Additionally, the sky and environment needed to be digitally replaced in most of the sequence. Framestore handled the "Illusion Battle" sequence in which Mysterio traps Spider-Man within a series of elaborate fear-based illusions.
Based on early prototypes of the sequence from Framestore, Marvel decided to extend it to around shots. It was heavily pre-visualized to define which background plates and motion-capture performances would be required; Framestore visual effects supervisor Alexis Wajsbrot compared the motion-capture process for the sequence to automated dialogue replacement , where each short section of the performance was captured individually.
The company used existing digital assets from other vendors, including for the different Spider-Man suits, combined with new models such as those for statues of fallen heroes or a "Zombie Iron Man".
Framestore took inspiration from the title sequences of the James Bond film series , especially that of Spectre for the graveyard portion of the battle.
Due to Parker dying at the end of Infinity War and not being resurrected until Endgame ,    Germain Lussier of io9 noted in May that Sony would either have to begin marketing this film only two months before its release or spoil the fact that Parker is resurrected for general audiences that may not realize that this would happen in Endgame.
Lussier suggested the latter approach be taken, while a representative of Sony said the studio would be working with Marvel to "figure out the Spider-Man strategy".
The footage does not acknowledge the events of Infinity War or Endgame , with Steven Weintraub of Collider describing it as a continuation of "the Spider-Man universe" only.
Adam Chitwood of Collider described the trailer as "cute and fun" just like Homecoming , and approved of the vacation storyline, the addition of Fury, and Mysterio's short appearance.
He did think the film looked "the tiniest bit less special" when compared to the acclaimed animated film Spider-Man: Into the Spider-Verse. Chitwood said the poster was "really fun, leaning into the whole 'summer vacation' vibe" while potentially hinting at the film's locations with the stickers.
Newby was also excited about the inclusion of Fury. On May 6, , a second trailer for the film was released. The trailer featured an introduction from Holland warning viewers that it includes spoilers for Avengers: Endgame.
Ahead of the film's home media release, in September , Sony released a "Night Monkey" trailer, featuring footage from the film of Spider-Man in his jokey alter-ego of the same name.
Lussier said the trailer was clever, and "in terms of repurposing old footage in fun, funny new ways, you have to give Sony a tip of the cap for this.
Inspired by real-world "conspiracy-pushing" websites such as that of Alex Jones] the website features Simmons reprising his role as Jameson in a video where he speaks out against Spider-Man and in support of Mysterio, before adding "Thanks for watching.
Don't forget to like and subscribe! This contradicts a statement by Feige saying that anyone in such a situation would have reappeared safely.
Delmar, the owner of a local bodega , which was all cut from Far From Home. The website's critics' consensus reads, "A breezily unpredictable blend of teen romance and superhero action, Spider-Man: Far From Home stylishly sets the stage for the next era of the MCU.
Owen Gleiberman of Variety praised Holland's performance and wrote, "By the end, this Spider-Man really does find his tingle, yet coming after Into the Spider-Verse , with its swirling psychedelic imagery and identity games and trap doors of perception, Spider-Man: Far From Home touches all the bases of a conventional Marvel movie.
It doesn't take you out of this world. But it's good enough to summon the kick—or maybe just the illusion—of consequence. He highlighted the cast, including the chemistry between Holland, Zendaya and Batalon, and said that Gyllenhaal "nails his character's earnestness but also clearly enjoys a few moments that let him channel every exasperated-sigh, I-just-want-to-get-this-right male diva director he's ever known.
Writing for IndieWire , David Ehrlich gave the film a grade of "C" and, despite complimenting the cast, called the film an "unadventurous bit of superhero housekeeping that only exists to clean up the mess that Avengers: Endgame left behind".
He criticized the character development of Spider-Man, feeling that he does not change throughout the film beyond becoming more confident. He described the action as "plastic", and felt that the film did not give enough attention to its teen elements.
Sony Pictures Imageworks handled the film's visual effects. The film received positive reviews from audiences and critics, who praised Raimi's direction and tone, the faithfulness and fidelity to the Spider-Man mythos, the action sequences, visual effects, Danny Elfman's musical score, and the performances of the cast particularly that of Maguire, Dafoe, and J.
Spider-Man is credited for redefining the modern superhero genre, as well as the summer blockbuster. On a school trip, Peter Parker , a high school senior, visits a Columbia University genetics lab, where he is bitten by a genetically engineered "super spider" that escaped containment and apparently falls ill after returning home.
Meanwhile, Norman Osborn , scientist and owner of Oscorp, tries to land a major military contract. He experiments on himself with an unstable performance-enhancing chemical and goes berserk, killing his assistant.
The next morning, Peter discovers that he is no longer myopic and his body has metamorphosed into a more muscular physique.
At school, he discovers that he can shoot cobwebs from his wrists and that his accelerated reflexes allow him to avoid injury during a confrontation with bully Flash Thompson.
Peter discovers that he has developed superhuman strength, the ability to stick to surfaces, and an increased ability to sense danger.
Ignoring his Uncle Ben 's advice that "with great power comes great responsibility," Peter considers impressing his crush Mary Jane Watson with a car.
He enters a clandestine wrestling tournament to raise money and wins his first match, but the promoter cheats him with his winnings.
When a thief suddenly robs the promoter's office, Peter allows him to escape. Moments later, he discovers that Ben was killed. Peter pursues and confronts the car thief, only to realize that it was the thief he let escape.
After Peter disarms him, the car thief flees but dies after falling through a window. Meanwhile, a crazed Norman disrupts a military experiment by Oscorp's corporate rival, Quest Aerospace, and kills several people.
Upon graduation, Peter begins to use his abilities to fight injustice, donning a costume and the personality of Spider-Man.
Jonah Jameson , editor of the Daily Bugle newspaper, hires Peter as a freelance photographer, as Peter is the only person who provides clear images of Spider-Man.
Norman, upon learning of Oscorp's board plans to oust him to sell the company to Quest, murders them at the Unity World's Fair.
Jameson calls the mysterious assassin Green Goblin. They fight and Peter is injured. During dinner, Norman sees the wound and realizes Peter's identity.
Shortly after leaving, Norman attacks and hospitalizes May. Mary Jane admits that she is in love with Spider-Man, who has rescued her numerous times, and asks Peter if Spider-Man ever asked about her.
Harry, who is dating Mary Jane, arrives and presumes that she has feelings for Peter after seeing them hold hands. Devastated, Harry tells his father that Peter loves Mary Jane, and inadvertently reveals Spider-Man's greatest weakness.
He forces Peter to choose who he wants to save and leaves Mary Jane and the children. He then grabs Peter, throws him into an abandoned building, and brutally beats him.
When Norman brags about how he will later kill Mary Jane, an enraged Peter overpowers him. Norman reveals himself to Peter, who stops attacking and apologizes but at the same time controls his glider to try to impale Peter.
Warned by his spider sense, Peter dodges the attack and the glider fatally impales Norman. Norman tells Peter not to reveal his identity as the Green Goblin to Harry.
After saying this, Norman dies and Peter brings Norman's body to Osborn's house, where Harry arrives and finds him standing over his father's body.
Harry grabs a gun with the intention of shooting Peter, but he escapes. At Norman's funeral, Harry vows revenge on Spider-Man, whom he holds responsible for his father's death, and claims that Peter is the entire family he has left.
Mary Jane confesses to Peter that she is in love with him and kisses him. Peter, however, feels he must protect her from the unwanted attention of his enemies, so he hides his true feelings and tells Mary Jane that they can only be friends.
When Peter leaves the funeral, he remembers Ben's words and accepts his new responsibility as Spider-Man. Simmons portrays J. Raimi himself appeared off-screen, throwing popcorn at Parker as he enters the arena to wrestle Bonesaw McGraw, played by former professional wrestler "Macho Man" Randy Savage.
Tig Notaro was offered the role by Raimi and auditioned, but lost it to Spencer. Comedian Jim Norton shows up in one scene as a truck driver who has an unfavorable opinion of Spider-Man.
Everbeck was intended to play Eddie Brock , but his scenes were unreleased. In April , although Sony Pictures optioned from Metro-Goldwyn-Mayer all preceding script versions of a Spider-Man film, it only exercised the options on "the Cameron material", which contractually included a multi-author screenplay and a forty-five-page " scriptment " credited only to James Cameron.
The studio announced they were not hiring Cameron himself to direct the film nor would they be using his script.
Night Shyamalan as potential directors. Fincher did not want to depict the origin story , pitching the film as being based on The Night Gwen Stacy Died storyline, but the studio disagreed.
Cameron's work became the basis of David Koepp 's first draft screenplay, often word for word. Koepp's rewrite substituted the Green Goblin as the main antagonist and added Doctor Octopus as the secondary antagonist.
Remaining a constant in all the rewrites was the "organic webshooter" idea from the Cameron "scriptment". Rosenberg removed Doctor Octopus and created several new action sequences.
Sequences removed from the final film had Spider-Man protecting Fargas, the wheelchair-using Oscorp executive, from the Goblin, and Spider-Man defusing a hostage situation on a train.
The film was set for release a year later,  but when the film was postponed to be released on May 3, ,  filming officially began on January 8,  in Culver City, California.
After the terrorist attacks on September 11, , certain sequences were re-filmed, and certain images of the Twin Towers were digitally erased from the film.
Stage 27 was also used for the complex Times Square sequence where Spider-Man and the Goblin battle for the first time, where a three-story set with a breakaway balcony piece was built.
The scene also required shooting in Downey, California. The Flatiron Building was used for the Daily Bugle. Before settling on the look used in the film, the original headgear created for the Green Goblin was an animatronic mask created by Amalgamated Dynamics.
One concept costume designer James Acheson became fond of was the idea of having a red emblem over a black costume.
Another, which would eventually lead to the final product, featured an enlarged logo on the chest and red stripes going down the sides of the legs.
A hard shell was worn underneath the mask to make the shape of the head look better and to keep the mask tight while keeping the wearer comfortable.
For scenes where he would take his mask off, there was an alternate suit where the mask was a separate piece. The webbing, which accented the costume, was cut by computer.
The mask eye lenses were designed to have a mirror look. Visual effects supervisor John Dykstra was hired to produce the film's visual effects in May Raimi had used more traditional special effects in his previous films and learned a lot about using computers during production.
Shooting them together would have resulted in one character being erased from a shot. Dykstra said the biggest difficulty of creating Spider-Man was that as the character was masked, it immediately lost a lot of characterization.
Without the context of eyes or mouth, a lot of body language had to be put in so that there would be emotional content. Raimi wanted to convey the essence of Spider-Man as being, "the transition that occurs between him being a young man going through puberty and being a superhero.
After the terrorist attacks in the United States on September 11, , Sony had to recall teaser posters which showed a close-up of Spider-Man's head with the New York skyline including, prominently, the World Trade Center towers reflected in his eyes.
The film's original teaser trailer , released in , featured a mini-film plot involving a group of bank robbers escaping in a Eurocopter AS Twin Squirrel helicopter, which gets caught from behind and propelled backward into what at first appears to be a net, then is shown to be a gigantic spider web spun between the World Trade Center towers.September 13, There are few corny and goofy moments from here and there, but that doesn't stop the exciting momentum that this movie brings. The next half of the movie Montagsspiel Heute gripping and fast-paced, with well angled shots Kn Rätsel make you feel like swinging from building to building and Spuderman up towers- i watched it in 2D and i could still feel the height! Edit Storyline Based on Marvel Comics' Free Casino Slot Games character, this is a story of Peter Parker who is a nerdy high-schooler. Upon Spuderman, Peter begins to use his abilities to fight injustice, donning a costume and the personality of Spider-Man. He enters a clandestine wrestling tournament to raise money and wins his Peacocks Manor match, but the promoter cheats him with his winnings. On March 15,a trailer revealed that the film, Spider-Man 2would be released on June 30, Retrieved January 22, Discussing the film's mid-credits scene, Watts explained that they approached J. Sirrs described the character as a "larger-than-life showman at heart" and almost a superhero version of Liberace.